10 Best Monologues From Martin Scorsese Movies

There are many recurring tropes in Martin Scorsese’s films, from Catholic guilt to needle-thrown soundtracks to the inevitable pitfalls of a life of crime. Scorsese’s films are character studies first and stories second. In most of his films, Scorsese surrounds his characters in a monologue that tells of their internal struggles.

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Scorsese is known for his deep cinematic presentation of monologues, usually delivered by one of his leading men, Robert De Niro and Leonardo DiCaprio, but sometimes performed by other actors, such as Jack Nicholson or Joe Pesci. .

10 A Product of My Environment (The Left)

Jack Nicholson in The Departed

the Goodfellas-esque voiceover narration on The Left delivered by Jack Nicholson’s Irish mob boss Frank Costello. Nicholson recounts the opening of the film in an unusable monologue: “I don’t want to be a product of my environment. I want my environment to be my product. ”

This account immediately builds on Costello’s lust for power, which eventually becomes his downfall when he is revealed to be an FBI informant (à la the real life inspired character, Whitey Bulger).

9 Are You Good At 10 Dollars? (Mean Streets)

Robert De Niro of Mean Streets

Scorsese’s breakout movie Mean Streets compared Harvey Keitel’s remorseful mafioso Charlie to his younger, best friend Johnny Boy, played by Robert De Niro. When Johnny Boy is confronted by one of his many creditors, he rudely offers him 10 dollars, then gives a long speech that perfectly summarizes his indifferent lifestyle.

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“I borrowed money from the whole neighborhood, left and right at all – I didn’t pay them anymore.” Johnny Boy fired his 10 bucks and his creditor hit him very hard. Charlie breaks it down but, true form, the irresponsible Johnny Boy still feels the need to pull out his gun.


8 It Happens (The Irishman)

Scorsese’s Netflix crime epic framing The Irish SAW De Niro’s mob hitman Frank Sheeran traveled to a wedding with his partner Russell, played by Joe Pesci. Along the way, Russell assigns Frank to kill his best friend, Jimmy Hoffa.

In a terrifying monologue delivered by a subversively subject Pesci, Russell essentially tells Frank that killing his friend will happen whether he takes the job or not: “You can’t let it happen, and you know I don’t want you … but it will happen. it will happen. Either way, he will go. “

7 How Vegas Works (Casino)

Scorsese and writer Nicholas Pileggi followed the triumphant success of Goodfellas with a different mafia saga, Casino. De Niro will take on Ace Rothstein, an expert gambler, who explains the cunning deeds of Las Vegas in a compelling voiceover narrative.

Rothstein said, “In Vegas, everybody’s gotta watch everybody else. Because the players want to beat the casino, the vendors are watching the players. The box men look at the vendors. The men on the floor looked at the men in the box. The pit bosses watched the people on the floor. Shift bosses look at pit bosses. The casino manager watches over the transfer bosses. I looked at the casino manager. And the eye of heaven is upon us all. ”

6 Dr. explained. Cawley the Twist (Shutter Island)

Teddy Daniels On Shutter Island

At the peak of Scorsese’s psychological thriller gem Shutter Island, Leonardo DiCaprio’s troubled U.S. Marshal went to the lighthouse where he thought his companion had been taken. There, Dr. Cawley’s Ben Kingsley explains the twist in a long monologue.

This kind of exposition based on the twist being revealed can be hard to come by, but thanks to Kingsley’s monologue abilities, it’s in Shutter Island. Dr. explained. Cawley that he was not a marshal; he was the “most dangerous patient” in the facility covered by a complex psychological experiment. He killed his manic-depressive wife after he drowned all their children.

5 Rupert Pupkin’s Law (The King of Comedy)

Robert DeNiro in a standup act in The King Of Comedy.

One of Scorsese’s less -appreciated films, The King of Comedy, a bitter satire on celebrity worship starring De Niro as a struggling comedian who kidnaps a famous late-night host just to get a chance to make his action on the air.

At the end of The King of Comedy, Rupert Pupkin succeeded The Jerry Langford Show, telling all his taunts, and bizarre murder to the live audience. In a classic “15 minutes of fame” moment, Rupert enjoys a sudden duty on top before being taken to jail.

4 Henry Hill Breaks the Fourth Wall of the Court (Goodfellas)

Goodfellas Henry Hill Court

Henry Hill by Ray Liotta spoke to the audience throughout Goodfellas in voiceover form. After the tense helicopter sequence, Scorsese’s heartbreaking musical ending leads to Henry rats all his friends to save himself from returning to prison.

In court, Henry directly answered the camera, explaining how he was seduced by the mafia lifestyle and why it all fell apart.

3 I’m Not F ****** Leaving (The Wolf On Wall Street)

DiCaprio gave one of his funniest performances of The Balloon on Wall Street, Scorsese’s pitch-black comedic biopic by stockbroker Jordan Belfort. He made several monologues in the film, mostly as rallies of his employees on the office floor.

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In the middle of the film, he gives what should have been a farewell speech as he launches to carry out the federal investigation. In the middle of his speech, he decided to stay (at great legal risk) and said, “I will not leave the king!”

2 I Can Be A Contender (Raging Bull)

Robert De Niro looks in the mirror for the final shot of Raging Bull.

There are a few layers to De Niro’s final “I coulda be a contender” monologue Angry bull: kini De Niro as Jake LaMotta made an impersonation of Marlon Brando as Terry Malloy in On the Waterfront.

This scene provides the perfect heartfelt ending for the terrifying saga of the angry middleweight boxer-turned-nightclub entertainer. LaMotta ends up talking to herself in the mirror after dismissing everyone who loves her.

1 Are You Talking To Me? (Taxi Driver)

Best Untitled Taxi Driver Mirror Movie Scenes

To emphasize Travis ’isolation, there are several monologues on Taxi Driver. These monologues are usually diary entries provided by voiceover narration at Robert Bresson’s Diary of a Country Priest. Travis’s journal writes about his psychology and gets “bad ideas” in his head.

But Travis’s most famous monologue expressed himself in the mirror: “Are you talking to me?” This scene shows that Travis is so lonely that he talks to himself. He was practicing pulling a gun at someone on the street. According to Business Insider, this remarkable scene was created by De Niro.

NEXT: 10 Best Monologues From Quentin Tarantino Movies

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