After a relatively quiet period after the election was seen Saturday Night Live resting and focusing also on the fun, surprises of the talented and large cast, the show garnered a lot of headlines last month by booking the billionaire who is riotous and passionate about the rocket Elon Musk to the host.
It’s not a step away; relying on the opinion of a Musk man, this time it came somewhere amid the alluring-if-suspicious fear of booking the wealthy Steve Forbes, who hosted after his 1996 presidential campaign , and the undoubted suspicion of booking rich Donald Trump, who has hosted twice, once in his own presidential campaign. Many fans of the show (as well as many people who never watched the show) were shocked at the prospect that SNL glorifies a datu dude who makes a vanity excursion to sketch comedy, especially when Musk does his part spread misinformation during the COVID-19 pandemic. Musk fans, on the other hand, do their usual thing: are willing to like whatever he does for any reason while DMing anyone who criticizes him. I can only imagine the messages received by cast and crew members Aidy Bryant, Bowen Yang, and Andrew Dismukes, all of whom expressed discomfort with booking through deleted social media posts.
All three are lacking in supply in the real stage – even as with the stage itself, its losses are somewhat anticlimactic. There are no formal sit-outs; the show opened with a small Mother’s Day where a display from musical guest Miley Cyrus to cast members making ten-second comedies of their mothers, the latest variation on a tradition that dates back thirty years. But when Bryant was gone for the rest of the show, and both Yang and Dismukes showed up a bit, it felt both famous and like a kind of a shrug. The show is light this week – not light -toned, exact, or even light -hearted (although that’s it!), But a half -hour killer by the time there are nearly four live sketches in total.
Sometimes it’s a kind of entertainment when in outdoor circumstances – extra guest stars, unusual musical performances, or a comedian standing up making a long monologue – tinker with the usual time. in the show. This week, however, it feels like an enlarged Dodge, a way to keep Musk in every sketch (the expected host-free sketches have become unique in the post-2000 SNL) while moving the show. It never worked, while the stage was still a bit long to go. By plot, the mother opening lasted a little long enough given that almost everyone in a large cast had their chance. Musk’s monologue is less poignant; the classy part that is often easy to come by for hosts who are non-professional entertainers (and even some who are) drawn, with Musk de-facto introducing himself to anyone who knows little about Tesla, SpaceX, or his Twitter feed dopey, and released his own mother for some solid cracks.
He also made a real mistake in identifying himself as the first host of Asperger Syndrome (despite his added joke about being the first to admit it); Dan Aykroyd talks about receiving an Asperger’s diagnosis earlier in this career, and he hosted the show, in addition to an original cast member. Musk clearly doesn’t know the history of the show enough to scrutinize his lines, but that moment further underscores what is left to say about the show’s trials that rely on the whole deal. by Musk: test self -strength while most come to self -satisfaction.
Aside from the monologue, this one goes most clearly in a part of the Weekend Update, where Musk doesn’t play a non-character who prefers the likes of the musk cryptocurrency Dogecoin musk while anchors Colin Jost and Michael Che has always refused to accept his candid explanations of what Dogecoin really is. OK, slow laugh, but it still feels like spon-con, especially when audience members are talking about just saying crypto and Musk is smiling a lot because of his own in-joke. The smugness of this begins with a live sketch, in which Musk plays a member of an old western gang, offering dubious ideas like Elon Musk’s about electric horses, traveling through the underground tunnels, and even more damaged cryptocurrency. (True, Beck Bennett’s line about how the current monetary system – digging gold out of the ground, trying not to die, then exchanging it for paper – works “perfect” is ridiculous. ) Most of it is pointless, not as shocking as the fantasy leadership sketch made from Trump’s 2015 hosting gig – but it’s also not far off. Offering a cutesy mea culpa about doubting the pandemic masks at the 88-minute mark in a 90-minute comedy show isn’t exactly what author Musk thought it was.
The real surprise, though, is how regularly — badly left of the show devoid of Musk’s hidden contributions — is easily the weakest yield of sketches to be seen today, even among the owners. to the host. The generally reliable Chloe Fineman introduces what a strange resemblance to a try on the new recurring character of her host on the Icelandic talk show Ooli, releasing comedies that many feel like in the middle of watching Eurovision on Netflix. Earlier, a group of talented cast members put on overly cooked accents to make fun of youthful slang for something called “Gen-Z Hospital,” and while I was all mocking the slightest case of verbal memeification, the sketch felt clearly like vamping, a post-Update sketch moved to the first position. Most disappointingly, what would have been a perfect launch of the silly start started with Kyle Mooney playing Luigi from Super Mario Bros. games. before rapid cratering.
It’s hard to find SNL The episode is worthless, and there are glimmers of this one: Ego Nwodim has produced an imperfect little comedy with the character of the Update desk, playing a satiated mother returning from a trip at Disneyland. The filmed parts about Mare in Easttown and bad conversations after COVID are good, if not surprising. Miley Cyrus has done a great version supported by the horn of her song “Plastic Hearts”. But the zing of the previous 2021 season – Dan Levy, Daniel Kaluuya, Regina King – wasn’t there.
Lorne Michaels has always said that the job of the show is to show that the host is good. The Elon Musk episode, then, stands as an interesting example of the show naturally rebelling against directive. I’m not suggesting that the writers intentionally write and cast the stage. I prefer to know if some hosts can be game theoretical despite being fundamentally inconsistent with what the show is doing best. If there’s a way to make Elon Musk look good through sketch comedy without the need for Tesla brand glasses, Saturday Night Live it’s not seen this week, and while the episode is always painful (or just boring) to watch, there’s a certain comfort that gives it little time to think about whether the performance of the show has helped make a “ecentric,” to the detriment of the billionaire. brighten his image. However, another major tradition remains in place: SNLcomplete ability to reduce self-anticlimax controversies.