Euphoria Season 2 Anchored Again By Zendaya: Review

The Pitch: HBO’s inspiring teen drama returns on Sunday, Jan. 9, and while many things have changed for the characters in this neon-soaked, nightmarish dreamscape of Southern California, much is still the same. That’s the thing about addiction, isn’t it? This is a cycle that is very difficult to break. But we as listeners are once again in the hands of young addict Rue as our omniscient narrator, who continues to be lovingly lived by zendaya, the youngest person to win an Emmy for Best Actress for a Drama Series.

Still Don’t Know His Name: “I don’t think I’m a good person.”

Repeatedly like a restraint, expressed like a prayer, this sentence is a brief summary of many of the central struggles of Season 2 in Euphoria. To that end, things have taken on fairly familiar territory-the opening sequence of the new era is bloody, expertly shot, blunt, and includes a fair dose of full-frontal nudity.

Clever in plot, the season fell on viewers shortly after Season 1. As a quick refreshment for anyone who was somehow able to forget the strange single-take song and the dance sequence that closed the first season, Rue returned. Again.

During the pandemic, writer, creator, and director Sam Levinson was able to combine two unique (but effective) specials centered on Rue and his potential other half, Jules. It’s not critical for viewers to see the two in the time gap between seasons, but they can help fill in some of the blanks. As special, one of the highlights of the show going on is Jules ’treatment, which is actually lived by Hunter Schafer.

Remember This Feeling: Many of this season’s beats are familiar (again, consider the cyclical nature of addiction), but there’s nothing about this new season of Euphoria boring again. Say what you like about Levinson – and, to be clear, there’s a lot to be said about the way she writes dialogue, especially with young women – but the camera design and production of this show is difficult. buntogon. As in the first season, things are not dirty choreographed, with a long take on multiple set pieces, bizarre cinematography, and vibrant colors and costumes that provide a constant feast for eyes.





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