Iceage Brings Storm on Fifth Album Finding Shelter

The Lowdown: Stone experiments in Denmark Iceage Will be back with their fifth album Finding Shelter on May 7, just a few days past the three -year anniversary of their acclaimed 2018 album Nothing to do. Finding Shelter acts as Iceage’s own sonic laboratory, where they test assumptions about introducing even more soundcapes in their catalog. Finding Shelter positive proof that these experiments gave way to successful results, as it was the band’s most invented album to date. Their latest not only illustrates the breadth of Iceage’s range, but they’re also not afraid to creatively roll the dice-and in that case Finding Shelter, they won big.

The good: Not surprising to those who have followed Iceage’s work for many years, vocalist Elias Bender Rønnenfelt’s lyrics are once again famous. Humorous and frightening, they did Finding Shelter as much of a feast for the mind as the ears. For example, “The Wider Powder Blue” contains memorable lines, “Killing can be / Expressed in a million ways / It can be a way to kill / Or a way to teach / Cut without ‘ y pay the umbrella / you will find hair on your feet. ”

Plus, probably the most convincing of Finding Shelter Iceage’s chameleon -like ability to create a variety of sounds and styles from track to track. Albums always have a sonic cohesion, but Finding Shelter distinguishes itself by acting like a mixtape. For example, the middle of the album sees the lingering sigh of “Vendetta” bleeding into the warm breeze of “Drink Rain,” followed by the soft rocker “Gold City” – a track that sounds at home just the conclusion of a film. In music, there is only one common interval between tracks Finding Shelter a shared sense of pleasure. On an album that saw Iceage try out many different styles for size, it’s worth remembering that they all seem to be a successful fit. It does Finding Shelter a beautiful representation of the order of Iceage’s creation.

The Evil: Tracks continue Finding Shelter all of sufficient length, with all but one crossing of the four-minute mark. The lone hiccup on the album was found to be the length to fit some tracks better than others. For example, “Love Kills Slowly” is mostly repetitive and one note. Given its duration, it is felt that the track could benefit from the many layers thrown into the mix, and especially since the subject line has such a great deal of relatability. The homogeneous nature prevents the intensity of Rønnenfelt’s lyrics – which are even more sharp here – from being fully appreciated.

It goes unnoticed, there are other tracks on Finding Shelter their length is not very full. The opening “Shelter Song,” which is also the album’s longest track, will almost pass in an instant because of its nuance and variety. Like a novel, longer-length tracks require chapters to capture and sustain the ear. If a majority of the tracks feel like a chapter book, it stands to reason that only one or two will feel like a short story.

The Judgment: Finding Shelter a rich representation of Iceage’s courage as a band. It’s impossible to describe what constitutes a “typical Iceage song”, because it doesn’t exist. They are constantly pushing new boundaries and forging new avenues in their work, demonstrating the ingenuity for innovation. It will also be noted that Iceage delivers an album with a wide variety of different musicals to follow Beyondless, as it is easy for artists to be given to emulate their album met at a particular level in fan. Iceage’s ambition and aftermath to successfully change the wheel from album to album and track track has given them some of the best rejection of music – a situation that Finding Shelter heavy cements.

Cause Tracks: “Song of the Shelter”, “Vendetta”, “Golden City”

Finding Shelter Artwork:

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