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Netflix’s glitzy series “Emily in Paris” has gained a global fanbase since the streaming giant premiered the rom-com in 2020—but it doesn’t seem to be popular with those running the French capital.
The third season of Netflix series—which follows a young American woman, played by Lily Collins, who moves to Paris for work—hits the screens in December.
Its release may have helped the tourism interest in Paris, along with the American Google searches for “Vacation in Paris” rose to their highest numbers in five years in the weeks following the debut of the third season. Searches for “Emily in Paris” rose more than 1,000% higher during the same period.
The interest sparked by travelers hoping to get a personal look at Paris as seen in the show has led to many articles and tours that promise to help people step into the shoes of protagonist Emily Cooper. .
Even the official Paris tourism website has published articles which details the best locations in the city for fans of the series to visit.
“Annoying” Netflix series
However, David Belliard—the deputy mayor of Paris, who oversees the transformation of the city’s public spaces and transportation—was released in an op-ed in a French publication. Libaeration on Thursday about his disapproval of the “provocative” Netflix series and the “complete erasure” of climate-related issues, describing the depiction of the Paris show as an “urban caricature where there’s the Eiffel Tower, in the background, on every street corner. .”
“What Emily gives us through her wanderings is a snapshot of an unchanging Paris, a Disneyland, limited to ultra-central districts and populated only by the richest people in a uniform architectural heritage. In short, a ‘Instagram Paris’ with impeccable colors and ideal views,” he said.
“This myth is neither desirable nor viable… there is a complete elimination of the constraints of climate deregulation and the scarcity of resources. We need to get out of nostalgia for a stereotypical city and invent a new aesthetic coherence adapted to a changing world.
A Netflix spokesperson was not immediately available for comment when contacted luck.
A specific example Belliard gives of “Emily in Paris” prioritizing aesthetics over real issues is the show’s lack of reference to historical heatwaves with swept across Europe in recent yearswhich saw the temperature of summer in Paris arrival of disasters high.
In the series, Emily lives in an attic apartment in the Latin Quarter of Paris.
“The flats on the upper floors, which are often occupied by the poorest people, can become intolerable ovens in hot weather,” Belliard said in his article on Thursday. “A simple solution… is to paint the roofs with white reflective paint. But are we ready to abandon the Parisian color palette?”
Despite “Emily in Paris” being a huge hit with Netflix subscribers — the third season garnered 117.6 million viewing hours within a week of its debut, according to The deadline—its reception was less warm elsewhere, with critics panning the series widely and the French pandering to the show when it was first released.
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