The pre-title sequences have become a beloved staple of James Bond film franchise. No Time to DieThe opening rule book has been rewritten with the longest cold open in the history of the series, consisting of an unconnected prologue, a showdown with the SPECTER killers, and a continuation of all plot threads from Daniel Craig’s Bond movies.
Back when the franchise started later, the famous Sean Connery in the role of 007, when the trope was not yet fully formed, the first batch of opening scenes was a mixed bag.
6 The diamonds of eternity
Connery’s last official production of Eon’s in the role of Bond (he returned to the role more than a decade ago for the unofficial Don’t Say No Again), The diamonds of eternity, follows from its predecessor You Only Lived Twice with Bond chasing a still -alive Blofeld. There are some scary moments in this sequence that are obviously challenging Bond’s character as a hero, like the unnecessary stare of a woman with her own bikini top.
There are also confusing cartoonish touches, like Bond having a rat trap in his pocket to catch a goon grabbing his gun and Blofeld falling into a vat of goo. Even Bond’s quippy one-liner is lazy: “Welcome to Hell, Blofeld!”
For the most part, No got the Bond franchise off to a good start. Ursula Andress remains one of Bond’s most iconic girls, Joseph Wiseman remains one of Bond’s most iconic villains, and Terence Young perfectly portrays 007 from the offset. But the opening sequence leaves much to be desired, as the tradition of opening with a long-concept set-piece in action has not yet been established.
As a result, the opening has nothing to do with Bond. It does, however, set out Bond’s mission to the assassinations of MI6 Station Chief John Strangways and his secretary in Jamaica. It was an action scene that started the plot right away, but now that Bond has become a cultural icon, it seems confusing that his first big-screen release took too long to introduce him.
4 You Only Lived Twice
The opening scene of You Only Lived Twice seems to have ended up killing Bond. It takes a while to introduce 007, starting with stealing a space capsule and cutting between different military characters trying to figure out what happened to it. When the movie finally revolves around Bond, he sleeps with a woman in Hong Kong before the killers explode, shoot him dead, and his body is swallowed up on the bed.
After the title sequence, of course, it is revealed that Bond’s death was simply faked to allow him to investigate Blofeld and remove SPECTER, but it’s an exciting way to start the movie – and perfectly set Nancy Sinatra’s sad, heartfelt song.
3 From Russia With Love
The opening scene of From Russia with Love pleasantly subversive. The movie begins with being Bond targeted by henchman Red Grant, played by Jaws‘Robert Shaw. To the great surprise of the audience, when Grant jumped, he was able to kill Bond. In a second, it looks like Bond is dead and the movie only lasts a few minutes – and then it all turns into a training experiment.
SPECTER trains its best assassins to deal with Bond in retaliation for the events of No, and Grant’s abilities are unmatched. Grant’s quick kill in the Bond decoy in this rehearsal sets up the brutal, truly life -threatening fight he’ll do with the real 007 on Orient Express later in the film.
In general, Thunderball considered one of Connery’s weaker Bond films, but it ended strong in a bizarre sequence of underwater battles and it started out loud with a twisty opening action scene. Bond attends the funeral of an enemy operative, disappointed that he did not bear the final blow of death, then goes to the widow’s house to pay his respects.
At first, there didn’t seem to be any action on the horizon, but the sequence was a strange turn when the colonel’s widow turned out to be the colonel himself in disguise – complete with high heels and stockings – ready to engage. fight 007. This is one of the most intense, visceral fight scenes from the entire Connery era.
completion No and From Russia with Love laid the foundation, the third Bond film – 1964’s Goldfinger -perfected the series’ now-familiar formula. as every other element of Goldfinger, the opening scene is the gold standard (pardon the pun) for the episodic 007 formula. Like Gert Fröbe’s eccentric eponymous megalomaniac and the remarkable ending to Fort Knox, GoldfingerThe opening scene in action sets a high standard for what could be a well-dressed trope of the franchise.
After the confusing revelation of Bond’s disguise (a fake duck tied to the top of his wetsuit), the master spy emerges from the water, plants explosive devices in a drug lab, then infiltrates a bar before it explodes. He took off his wetsuit to see a white tuxedo underneath and coldly lit a cigarette as the lab exploded behind him. Within minutes, director Guy Hamilton completely reintroduced the Bond character.
Harry Potter: 10 Quotes That Prove Hermione Is A Ravenclaw
About the Author