The 2022 Horror Sequel Proves The Franchise Is Still Sharp


Screaming is familiar, but it’s not afraid to criticize its existence while commenting on the new wave of panic and fandom poisoning.

the Yelling The franchise will be one of the most recognizable and influential horror franchises in the horror genre, shamelessly referring to other film genres and going through the full meta of analyzing its plot. After four films, all directed by the late Wes Craven and written by Kevin Williamson (except for Siyagit 3), 2022 Yelling gives another filmmaking team a chance to give the long-standing franchise new vigor. Directed by Matt Bettinelli-Olpin and Tyler Gillett from a screenplay by James Vanderbilt and Guy Busick, Yelling feels familiar, but it’s not afraid to criticize its existence (like how The Resurrection Matrix doing so) while commenting on the new wave of horror and toxicity in fandom.

SCREENRANT VIDEO OF THE DAY

Twenty-five years after the first consecutive Woodsboro murders, Sam Carpenter (Melissa Barrera) returns to his hometown after his teenage sister, Tara (Jenna Ortega), is attacked by a new assassin wearing a Ghostface mask. There seems to be no reason why Tara is the target of the killer, but Sam soon discovers that Ghostface is back because of a dark secret he kept in his yesterday. Sam turns to Dewey Riley (David Arquette) for help, which also brings Sidney Prescott (Neve Campbell) and Gale Weathers (Courteney Cox) back into the action as they fight to stop Ghostface from claiming any victim.


Related: Scream 2022 Video Mocking Melissa Barrera’s Unsuspecting Sam Carpenter


Even after four movies, Yelling -removing the number 5 from its title for the reasons referred to in the film-continues to be creative. A big part of what made the first film and its sequels, albeit perhaps on a small scale, is the mystery of the whodunit at its center. It’s not just about the murders or the reasons behind why the killers chase so much, but the guessing game that carries the story to the end. Yelling definitely gives that part, that the characters themselves don’t know who to trust while others start to doubt each other. In terms of horror, the franchise is never intimidating, and Siyagit 5 following that vein. Assassinations are useful, sometimes terrifying and creative, but not as exciting as the mystery and suspense that comes with trying to escape being found and stabbed by Ghostface. For that purpose, the fears are more frightening, but luckily they are covered in better film qualities.


Each sequel attempts to improve its game and the 2022’s Yelling no difference, throwing in a lot of meta commentary about old-school slasher films against high horror and what makes it different. The new Yelling won’t leave its fans, but it makes sure to speak to a new audience, one that has grown up with horror films like The Babadook and Inherited (both are referred to in Yelling). The film is sharp, especially in its analysis of horror, slicing through the layers of the genre, the Yelling franchise itself, and the rules of survival. But it’s probably the most painful of its commentary on watching a franchise’s first movie and how it can cause fandom poisoning.



This commentary, among other things, is what makes Yelling very good. It recognizes its heritage and history without rejoicing in it, taking pictures of the past without too much self-humiliation, delivering a sequel with stakes and liking new characters. It’s a balancing act that makes the film much better for most, even taking some funny moments about these things. In one particular scene, Brian Tyler’s musical score intensifies after each door is opened, just for something to happen less than expected. It’s a good game of self-expectations with the audience when the killer attacks. When Yelling began to rely heavily on familiar territory, it was able to turn things around. However, it can sometimes feel a bit repetitive. Specifically, the need to revisit a specific heritage character in a greater capacity, especially in scenes where the moment is somewhat flattened by his presence rather than elevated by it, is unnecessary.


However. the way the original characters are pulled back into the main plot is organic, giving them their right while taking time to build on new additions, their connection to each other, and the past. Yelling movies. The fifth installment provides an update on what Sidney, Dewey, and Gale have accomplished in their lives since Siyagit 4 without having to give the audience a trash can of information, to keep the story prepared. And for the record, Campbell, Cox, and Arquette are still good at their roles. In the new cast, Jenna Ortega (you) and Melissa Barrera (At the height) especially very well, credible depicting sisters who cared deeply for each other, but drifted apart over the years. Jack Quaid (The Boys) as Richie is a Woodsboro outsider and the actor takes advantage of that fact somewhat.

Sequels are hard to do well in a way that expands the established story while keeping things fresh, but Yelling able to do that in a large and intelligent way. It brings in new characters that are different and maintain a connection to other films, while criticizing these aspects with the same breath. The frightening commentary remains at the top level, with the fifth episode confirming the Yelling even got the franchise.

Next: Scream Final Trailer: Ghostface’s New Weapon Revealed

Yelling will be released in theaters on the night of Thursday, Jan. 13. The film is 114 minutes long and rated R for loud bloody violence, language throughout and some sex references.


Among Rating:

3.5 out of 5 (Very good)

  • Scream 5 (2022)Release date: Jan 14, 2022

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