The Iconic Spider-Man Comic Is Remade With The Green Goblin’s No Way Home Scene

A new piece of Spider-Man: No Way Home fan art features a Green Goblin scene from the movie as the cover of a vintage Marvel comic book.

Warning: This article contains SPOILERS for Spider-Man: No Way Home.

A new piece of Spider-Man: No Way Home The art envisions a scene of the Green Goblin as the cover of a vintage Marvel comic. Since its release in theaters on December 17, No Pauli has become one of the most useful films of all time. In just a dozen days, it grew more than The Rise of the Skywalkerthe whole box office run. This is thanks in large part to the multiverse theory of the MCU and No PauliThe promise of familiar faces from Sony’s past.

As Jon Watts concludes Uli trilogy, No Pauli sees Peter Parker (Tom Holland) seeking Doctor Strange’s (Benedict Cumberbatch) help in disposing of Mysterio’s identity revealed in Away from HomeThe credit scene. The multiversal melding of the pair resulted in villains from both Sam Raimi Spider-Man trilogy and by Marc Webb The Amazing Spider-Man films that will enter MCU, including Doc Ock (Alfred Molina), Green Goblin (Willem Dafoe), Electro (Jamie Foxx), Sandman (Thomas Haden Church), Lizard (Rhys Ifans), and, of course, Tobey Maguire and Andrew Garfield’s iteration of Spider-Man. As the latter pair stole the show upon their arrival, Green Goblin walked away. No Pauli as the best baddie.


Related: Why the Green Goblin Has No Mask No Way Home (and Why It Works)

actor Butcher Billy on Instagram recently shared a vintage comic book cover that took inspiration from one of Green Goblin’s scenes in No Pauli. What the fan did, The Amazing Spider-Man cover, entitled “Green Goblin No More!” saw Norman Osborn walk away with his broken Goblin mask. The scene, on the cover and illustrated by No Pauli, reminiscent of the scene of Spider-Man 2 (2004) when Peter Parker (Maguire) decided that he “Spider-Man is gone. ” See it below:

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Originally by Raimi Spider-Man (2002) film, the father of Harry Osborn (James Franco), Norman, the founder and owner of Oscorp Industries, experiments himself with an unstable chemical that can enhance the performance. This drove him crazy and resulted in the conflicting personalities of Norman and the Goblin. on No Pauli, the Goblin, full of costumes, can be seen on the bridge where Spider-Man fights Doc Ock. The next time the audience sees him, he argues with the Goblin before breaking his mask and running away (like the cover above). Then Peter goes to FEAST and finds a frightened Norman, who seems to have regained control of himself from his divided Goblin personality. Sorry for Aunt May (Marisa Tomei), the Goblin persona later takes control in a destructive manner.

The Green Goblin is at the center of Peter’s moral problem No Pauli. While Dafoe’s description at first Spider-Man film has always been respected, his character of No Pauli can be more sympathetic and multi-dimensional. What’s more, the fight scenes between Holland and Dafoe are some of the film’s best. As an ode to Spider-Man cinema, referring to comic book storylines like “One More Day,” that deserves it. Spider-Man: No Pauli bring back a vintage villain and make him better than ever.

In addition: MCU May Have Its Own Green Goblin After No Longer Return

Source: thebutcherbilly

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