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This movie starts with a scary man named Jake (Ralph Ineson) entering a ratty restaurant in Negacion, New Mexico (population 209, according to a helpful onscreen credit). Hog Heaven BBQ is the site of the series of murders that began the movie. Jake blows up the man he came to kill, then shoots the angry cook who asks him to put out his cigarette. For good measure, he also punched one of his alipores who inexplicably resisted him. Before the gunplay began, Jake spoke in pointless, faux existentialist sentences, telling his victim that nothing mattered. With his unique look and unchanging expression, Jake would have been the one to inspire Javier Bardem in “No Country for Old Men”But he was not as intimidated Tom Hanks in “The Ladykillers. ”
Jake also oversees the film’s overwritten narrative. Ineson’s compelling audible deep voice is filled with more gravel than gravitas, but not Morgan Freeman at his best this thing could have worked. “All I know is that ignorance is happiness,” Jake told us, “until the knife stabs you in the back.” Later, we heard him moan “the bullet is cheaper than a lawyer.” So is a good screenplay.
But I walked away. When we weren’t with Jake and the crazy minions he recruited to help him hide the scattered bodies in Hog Heaven, we spent time with Sheriff Hickey (Ron Perlman) and her nerdy sidekick, Deputy Mindy Gaboon (Camille Legg). They are in charge of finding out what happened and who. The broken thumb is their only lead. Perlman, whose deep voice is just like Ineson’s rumbling, is also betrayed by bad writing. He intentionally mispronounced his deputy’s name (he called him a “gay boon”) and told twisted stories that little could be done to improve the plot. This movie is 111 minutes long, but it feels even higher when faced with this amazing couple. A sudden, brutally brutal plot twist later in the film does little to make any of these characters look.
Surprisingly, the craziest plot in “The Last Victim” is one of that kind of acts. If nothing else, it delivers a level of gonzo excitement that the filmmakers wish they had rejected all along. Susan (Ali Larter) and her husband accidentally tripped over Jake and his crew throwing the bodies into an abandoned nature preserve. Her husband’s idea was to take this shortcut to his new job at a university, and he paid for it by blasting his brain. Susan witnesses Jake’s murder and runs into the wild. He was chased for many days, using his wisdom to survive. Sometimes, he is accompanied by songs that don’t fit the tone of the soundtrack that makes the audience wonder if they are being ridiculed by the film’s music department.
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