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ComingSoon Editor-in-Chief Tyler Treese talks The Boat Boys DIRECTORS George Clooney and star Joel Edgerton about the biographical sports movie. The duo discussed the true story and the experience of working with a director who also acted. The movie is scheduled to debut in theaters on Monday, December 25.
The Boys in the Boat is a play based on the #1 New York Times best-selling non-fiction novel written by Daniel James Brown. the moviesynopsis of this. “The film, directed by George Clooney, is about the 1936 University of Washington rowing team competing for gold at the Summer Olympics in Berlin. This inspiring true story follows a group of underdogs at the height of the Great Depression as they put in the spotlight and fight elite opponents from around the world.
Tyler Treese: George, one of my favorite aspects is the use of the sportscaster during the races. There was a real art in broadcasting at that time. And it's not just set up like race bets. It really gives a perspective on the world and politics and everything that was going on at the time. Can you talk about using that as a narrative device?
George Clooney: Well, first of all, there needs to be someone who can tell the time in a way that doesn't sound like, “Whatever!” You shouldn't feel like a caricature. Interestingly, the character of Royal Brougham, who is the broadcaster who does most of the things, writes this kind of poetic things and is a legend in Seattle. They have buildings named after it and so on. So, it's always a choice. It's hard to create an account of what these guys are doing and where they are when no one is telling you.
The best person to tell you is a sportscaster. They are when you look at the wide world of sports, and you look at skiing. You don't know much about skiing, and they tell you, “Well, if he gets to the slalom, if he gets there in that time period, he's going to win.” You need someone to tell you where we are in the race, somehow, and where we are in life – because he does that too. He talks about four children who come from a poor area. So it's always a plan to use the narrator in it. It felt like a perfect way to continue the story.
Tyler Treese: Joel, Al Ulbrickson is a legendary figure for your show. Have you tried to look back at the videos or talk to any family or people who knew him? What is your prep?
Joel Edgerton: The only things you can access are bits of information and some statistics and some beautiful photos, where she is very well dressed.
George Clooney: He is well dressed. [Laughs].
Joel Edgerton: Which we try to replicate. Jenny has done an amazing job, indeed. But no, it's actually about reading the book and reading about his qualities and starting to build from that, plus the screenplay to try to serve the movie in the best way possible.
The beauty that is not, with all due respect, prevented by his being an iconic worldwide iconic person … that it can be me and the qualities that I can bring that I know about him … I don't have any roadmap because, unfortunately, there is no real action footage or audio footage of him.
George, what scared me after I saw the movie was researching the real history. There are many moments where you would think it was dramatized, but it all happened. When you look at history, are you amazed when you see the difficulties that all the people and the group have overcome?
George Clooney: Well, it's a little crazy because, when you watch this film or you read this script and you see, “Oh, the cow coach gave them the money and they didn't have any money,” and, “Oh. , the kid got sick so much that he lost 15 pounds before the big race.” Or, “They put them on the outside and they didn't hear the gunshots.” Everything happened.
When you read that script and it's a made-up story, you go, “You can't put everything in it — it's not realistic.” So that's what makes it fun. It's also a responsibility, because you have to try to make it cinematic and not feel stupid along the way. But the truth is, we had amazing actors who brought me through that.
Joel, when you work with a director with an acting background, is there anything special about that? How does that work?
Joel Edgerton: [Laughs]. Yes, you don't listen! Yes, no. I mean, look, I was there the first week just looking at George walking around saying, “Shouldn't you be in front of the camera?” [Laughs]. And then, that gave me this very good evidence, which I thought before. What makes someone spend so much time creating something that they can easily jump from set to set, collecting bags of money as an actor? It means he really cares about it – especially since he won't be facing the camera either. That passion is just there to tell this story.
The worst case scenario for an actor to direct is that an actor-director comes up to you every moment and says, “Let me show you how to do this,” which can happen. It didn't happen, thankfully, to this one, but if it did, it probably wouldn't be such a bad thing.
George Clooney: What I will say is, I've been directed by actors in the past too, and I always find that there's a bit of shorthand. I can look at him and know what he is doing and he can look at me and know what I need. On the contrary, some directors will come to you and they will talk to us like we are idiots. They go, “I think the reason you deliver pizza is because your parents are alcoholics. [Laughs]. That's why you became a pizza delivery boy.”
For me, I said, “You just have to ring the doorbell and say 'pizza.' I say to him, 'Pizza,' and he goes, 'Got it.'” You know? It's a great blessing, actually, that there are actors who — he directs. So when I say to him, “Okay, so I have to go there and then and get out the door.” He went, “Where do you want me?” And I go, “I need you to go there.” He said, “It's over.” And that helps.
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