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If the same thing made everyone, then for one thing, the vibrant pornography industry in the San Fernando Valley would be less powerful – just like the world at large. That being said, there are probably some commonalities in the human experience that most people would say are, in fact, quite hot – as an example, that moment in a good romantic film when someone is overcome with love. , pulling the other person to them for a kiss that felt somehow inevitable, and yet like a delicious surprise.
It’s a moment I’ve called “grab-and-kiss” for years, as a fan of romantic movies in general and this trophy in particular. It is impossible to remember the first one that I personally saw, but entire generations are defined by these moments, even if it is the love of An Officer and a Gentleman (1982) by last kiss or The Notebook (2004) that created a devoted legion of Ryan Gosling fans. TV is also rich in these moments, from Jim and Pam to The office and Logan and Veronica in Veronica Mars; it’s a trope of which immediate examples may not come to mind, but you know it when you see it.
And the implementation of one, according to Red, White and Royal Blue director Matthew Lopez, is not as easy as you think.
How Grab-and-Kiss is Done
The new Prime Video movie Red, White and Royal Blue is an R-rated romantic comedy about the unlikely love between the First Son of the United States and a Prince of England. Based on the book by Casey McQuiston, the story begins with Alex Claremont-Diaz (Taylor Zakhar Perez) and Prince Henry (Nicholas Galitzine) who are forced to do press together after an embarrassing international incident, to prove that they don’t hate. one by one. Of course, their enforced time together stirs up a cauldron of sexual tension that overflows during a big New Year’s party hosted by Alex.
In the film, Henry leaves the party after midnight, and Alex follows him to find out what’s bothering him. Eventually, Henry gives in to the long-suppressed temptation, and proceeds to embrace Alex in a grab-and-kiss – capturing the love that builds between them, a textbook example of how powerful the maneuver is in practice. .
It’s important for Henry to be a grab-and-kiss-er in this scenario, Lopez says, because “there’s something shocking about a character like Henry, who has spent up to that point in the film being very buttoned up.” and seemed to control his urges at that moment, losing the ability to control his urges and giving in to the desire to kiss Alex.”
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